Tag Archives | Movie Reviews
Should Movie Studios be Worried about Netflix’s First Feature Film?
The ‘Star Wars’ Overload
Do We Really Need a ‘Trainspotting 2’?
Prophets of Pain: The Art of N.W.A.’s ‘Fuck tha Police’
The Twilight of the Superhero?
The Science and Fiction behind ‘Blade Runner’
Remembering Composer James Horner
The Deep Influence of the A-bomb on Anime and Manga
Compton Commodified: NWA was Always a Blend of Fiction and Reality
‘Mad Max: Fury Road,’ a Review
‘Ex Machina,’ a Review
‘Asahiza,’ a Review
How ‘Mad Max’ Wrote the Script for the Action Blockbuster
Weird Cinema: “Unabashed Nationalist” vs. a “Fascist”
Smiting the Brats: Jeremy Clarkson, ‘Top Gear’ and the BBC
Sean Penn and Globalization
At its Core, ‘American Sniper’ is about White Fear
‘Red Army’ Portrayal of Soviet Hockey Misses Mark
How the Movie ‘Selma’ made MLK Human Again
Our Top Entertainment Stories of 2014
In ‘The Gambler,’ an Anti-Hero Story is Retold
‘The Theory of Everything’ is Inspiring, Despite a Hackneyed Treatment of Hawking’s Work
‘Exodus’: the Tantastic Gods and Kings Epic is Suspect but well Worth a Watch
‘Guardians of the Galaxy’ and the Fall of the Classic Hero
‘Stargate’: David Arnold’s First Blockbuster Score
All ‘Fury,’ No Fanfare
Patrick Doyle: Marvel’s Mightiest Film Composer
An Orchestral Soundtrack for Halloween
‘The Golden Knights,’ Interview with Antonio Saillant
Jerry Goldsmith: A Tribute to His Music
Elmer Bernstein: A Tribute to His Music
Eli Wallach and Tuco Ramirez
‘Restaurant: Impossible’ Celebrates 100 Episodes
Optimism for ‘Star Wars: Episode VII’
‘Rio 2’: John Powell’s New Winged Symphony
The Tenure of TV’s New Golden Age
The Symbolism and Cozy Escapism of ‘The Grand Budapest Hotel’
‘The Monuments Men’ Reviews: Book and Film
