Archive | Entertainment
Honoring James Rebhorn’s Craftsmanship
‘Our Mothers, Our Fathers’: A Review
‘The Apprenticeship of Ted Kotcheff’: Interview with the Director, Antonio Saillant
Springsteen’s ‘High Hopes’
Remembering Philip Seymour Hoffman’s Art
Los Lonely Boys’ Disappointing Reveal
The Slow Burn of Steve McQueen’s ’12 Years a Slave’
Noaz Deshe on his Film, ‘White Shadow’: A Fight for Survival in East Africa
The Key to Arctic Survival: Improvised Implements of Excrement
The Specials Performing ‘(Free) Nelson Mandela’
My Evening of Opulence, and a Review of ‘Casablanca’ thrown In
An Appreciation of the 1931 Classic ‘Dracula’
Revisiting Martin Ritt’s ‘The Molly Maguires’
Bollywood is Coming to Florida
Interview with Planet GreenFest’s Antonio Saillant
Music for a ‘Man of Steel’
‘Sincerely Ethiopia’: A Documentary
The Legacy of ‘Iron Man’
Roger Ebert, Death and ‘The Grey’
Iran’s ‘Argo’ Paranoia
‘Game Change’: A New Standard for VP
‘Zero Dark Thirty’ wishes it could be ‘The Battle of Algiers’
Interview with Fredrik Stanton, Director of ‘Uprising’
Review of Kathryn Bigelow’s ‘Zero Dark Thirty’: The Hunt for bin Laden
I Don’t Know Whether to Kiss You…or Waterboard You
Review: ‘Tai Chi Zero’
Welcome to ‘The Yabba’: Review of ‘Wake in Fright’
‘Wake in Fright’: 2012, the Film Odyssey
Saving the Shark
One Hundred Million Porcelain Seeds: Review of ‘Ai Weiwei: Never Sorry’
Review of Takashi Miike’s ‘Hara-Kiri: Death of a Samurai’
Review: Daniel Espinosa’s ‘Easy Money’
Review: Iara Lee’s ‘Cultures of Resistance’
Review: Jean Renoir’s ‘Grand Illusion’
Review of the BBC’s This World: ‘Inside the Meltdown’
‘Crazy Wisdom’: Tibetan Buddhist Heaven
‘The Ides of March’ and Hollywood on the Campaign Trail
American Recession on Film
