Archive | Entertainment
Prophets of Pain: The Art of N.W.A.’s ‘Fuck tha Police’
The Twilight of the Superhero?
Remembering Composer James Horner
Compton Commodified: NWA was Always a Blend of Fiction and Reality
‘Mad Max: Fury Road,’ a Review
‘Ex Machina,’ a Review
Why aren’t American Museums Doing More to Return Nazi-Looted Art?
‘Asahiza,’ a Review
How ‘Mad Max’ Wrote the Script for the Action Blockbuster
Weird Cinema: “Unabashed Nationalist” vs. a “Fascist”
At its Core, ‘American Sniper’ is about White Fear
‘Red Army’ Portrayal of Soviet Hockey Misses Mark
How the Movie ‘Selma’ made MLK Human Again
Our Top Entertainment Stories of 2014
In ‘The Gambler,’ an Anti-Hero Story is Retold
‘The Theory of Everything’ is Inspiring, Despite a Hackneyed Treatment of Hawking’s Work
‘Exodus’: the Tantastic Gods and Kings Epic is Suspect but well Worth a Watch
‘The Interview,’ Hollywood and the Politics of Ridicule
Sony Must Release ‘The Interview’
Did the Senkakus Sink Sony?
‘Guardians of the Galaxy’ and the Fall of the Classic Hero
‘Stargate’: David Arnold’s First Blockbuster Score
John Williams’ Star World
All ‘Fury,’ No Fanfare
Patrick Doyle: Marvel’s Mightiest Film Composer
An Orchestral Soundtrack for Halloween
Free Speech Movement: The Musical
‘The Golden Knights,’ Interview with Antonio Saillant
Robin Williams and Social Media
Jerry Goldsmith: A Tribute to His Music
Elmer Bernstein: A Tribute to His Music
Eli Wallach and Tuco Ramirez
‘The Last Ship’: Sting’s British Folk Musical
‘Restaurant: Impossible’ Celebrates 100 Episodes
Optimism for ‘Star Wars: Episode VII’
‘Rio 2’: John Powell’s New Winged Symphony
The Tenure of TV’s New Golden Age
Bollywood Unplugged
